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Accordion Revolution: A People's History of the Accordion in North America from the Industrial Revolution to Rock and Roll. Bruce Triggs

Accordion-Revolution-A-People-s.pdf
ISBN: 9781999067700 | 432 pages | 11 Mb

• Accordion Revolution: A People's History of the Accordion in North America from the Industrial Revolution to Rock and Roll
• Bruce Triggs
• Page: 432
• Format: pdf, ePub, fb2, mobi
• ISBN: 9781999067700
• Publisher: Bruce Triggs

Download books for free on ipad Accordion Revolution: A People's History of the Accordion in North America from the Industrial Revolution to Rock and Roll ePub PDB MOBI 9781999067700 by Bruce Triggs (English literature)

Before the dawn of rock ’n’ roll, the accordion ranked among North America’s most popular instruments. Arriving in the arms of immigrants, nearly every ethnicity on the continent played the squeezebox: Irish, Scottish, French, German, Eastern European, Latino, Jewish. The instrument packed barn dances, jazz clubs, and recital halls, and was heard in norteño groups on the Mexican frontier; Creole string bands in New Orleans, and Inuit square dances above the Arctic Circle. Portable, cheap, and loud, accordions became the soundtrack for modernity as the music industry exploited them on records, radio, film, and television. Millions of people played accordions until a disastrous combination of economics, demographics, and electronic instruments nearly erased them from mainstream culture. Emerging from exile with a new generation of followers, this book invites beginner or seasoned accordionists and music fans in general to rediscover a forgotten legion of little-known artists. With an eye for colorful characters and a sharp sense of humor, accordion historian Bruce Triggs uncovers the hidden back-story of the squeezebox in everyone’s closet. Accordion Revolution is about more than an instrument: it’s a living, breathing restoration of the squeezebox to its rightful place at the roots of North America’s popular music.

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So my liking of Elvis and rock and roll music that I'd grown up with was always Bill Bentley,American music industry executive in an interview with Salon, Fernest Acernaux was not playing zydeco on that accordion, it was rhythm and blues. language, clothes, it's a whole new social revolution - the 60's comes from it. The Basement Tapes - Wikipedia
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CHAPTER 5: Early Music of the American South: “Race Records” and CHAPTER 8: Rock 'n' roll : A Generation's Identity . .. Golem; Zydeco and other ( often accordion-driven) .. industry. The word “ragtime” derives from the African- American term “to rag,” American musical history: rooted revolution in the 1940s.

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